How do you transport a movie audience to a racetrack, recreating the visceral experience of roaring engines, the ...

Joseph Kosinski had one instruction for the sound team behind his latest feature “F1”: It needed to be as immersive as possible, and he wanted the audience to feel like they were in the car. Except, ...

The first race in F1: The Movie, at the British Grand Prix at Silverstone, results in a spectacular double crash that illustrates just how disastrously things can go when you don’t work together.

The two films are among those nominated for an Academy Award for achievement in sound. They both they both feature vehicles in motion across challenging landscapes — and sudden, traumatic shocks.

Sound editor Al Nelson wanted to recreate the experience of a Formula One race: “It’s something you feel in your bones.” By Beatrice Verhoeven Awards Editor F1 sound editor Al Nelson and his team ...

Feel the raw Formula 1 energy! The 2018 Ferrari SF71H roars to life with spine-tingling V6 turbo sound, insane accelerations, high-speed fly-bys, and wild donuts. Pure F1 power unleashed outside the ...

For re-recording mixers Juan Peralta and Gary A. Rizzo, auto-racing fans were a key audience they hoped to please with their work on “F1.” They weren’t the only key audience, however. “We wanted to ...

Here at Jalopnik we love it when a car goes "nyooom" really fast on a race track. A high-rev V12 in the back of a cigar-shaped F1 car? Who doesn't love that? Honda recently had its 1965 RA272 out at ...