The Chinese director Bi Gan, who has become a lauded fixture on the festival circuit, conjures a boundary-pushing tale that ...

Resurrection' contains one of director Bi Gan's signature long takes — lasting 30 minutes — but the movie is also a euphoric, ...

Chinese director Bi tells IndieWire about outdoing even his long-take sequences in "Long Day's Journey Into Night" and "Kaili ...

Bi Gan stuns with another jaw-dropping oner in Resurrection, a dreamy anthology designed to make you appreciate cinema.

The director of ‘Long Day’s Journey into Night’ returns to Cannes with a century-spanning movie-tale made in the cinematic style of five different epochs. By Jordan Mintzer One of the most audacious ...

The final segment of Resurrection plays out in a single, unbroken take that lasts a full half-hour, wending its way through a ...

Chinese auteur Bi Gan is back at Cannes with competition title “Resurrection,” a six-part fever dream where a movie monster drifts through China’s 100-year history. “I structured this monster’s soul ...

It is brutally unfair that Thierry Frémaux programmed “Resurrection” on day ten of the Cannes Film Festival when we, the remaining press foot soldiers on the ground, are holding onto our critical ...

From its opening moments, Chinese director Bi Gan’s latest film Resurrection feels like something made outside of time. Employing a silent film aesthetic, with skipped frames, slightly askew framing, ...