Jonathan Swift’s satire of power, flattery, and human folly feels uncomfortably at home in the age of Trump and artificial intelligence.

In "How to Survive the End of the World," catastrophe is only part of the story. There’s also human resilience—and the ...

This week's poem: "Sonic Warfare II" SONIC WARFARE II And as the engine steers reality— between humanity amity calamity indemnity, solemnity who is weaponizing systems struggle severed savoir in the ...

GlobeDocs and a standout screening at the Somerville Theatre offer an inviting week of documentaries about mortality, justice ...

In her haunting installation "Cemetery of the Nameless," Pınar Öğrenci contemplates displacement, anonymous deaths, and the ...

Ruchira Gupta joins Elizabeth Howard to explore her friendship with Gloria Steinem, the influence of India and Gandhi on Steinem’s activism, and their shared commitment to women’s freedom.

Taken together, Rage is an affecting 60-minute portrait that’s singular in concept yet diverse in content. If less than diverse in instrumentation, well, that’s no complaint: the bassoon’s rarely ...

Ahead of two Massachusetts shows with Dan Bejar, Neko Case talks about producing "Neon Grey Midnight Green," writing her ...

In Alex Gibney’s exhaustive documentary, Elon Musk emerges as a visionary, a menace, and a man determined to escape the world ...

In her haunting installation “Cemetery of the Nameless,” Pınar Öğrenci contemplates displacement, anonymous deaths, and the cruelties that recur across borders and centuries.

Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.

The Huntington Theatre Company’s staging of Aaron Sorkin’s adaptation finds fresh complexity in Harper Lee’s moral hero, even ...