The maker of the original film reflects on how his gory fable about vagina dentata became a savagely witty stage musical by Anna K. Jacobs and Michael R. Jackson. Following is the foreword to the ...

A roundup of prizes, fellowships, and other recognitions. Scholarship winners included Nia Alsop, the musical theatre recipient of the Fran Morganstern Davis scholarship, given to a full-time ...

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A new musical about a gay teen’s coming-out journey premieres at Pioneer Theatre Company in Salt Lake City. It’s 2015, and 16-year-old Mike is planning to come out as gay to his family and high school ...

2 playwrights talk to theatremakers in the West Bank and Gaza, who are continuing their resistance to occupation with their art and their witness. The Wisconsin theatre just announced 6 new plays, to ...

An L.A. tribute to Harold Clurman, a transition for N.Y.’s Nathan Leventhal, and other updates. A true resident theatre actor, she will be greatly missed by all who collaborated with her or saw her ...

In Antoinette Nwandu’s new play Pass Over (published in its entirety in the September 2018 issue of American Theatre) two young black men, Moses and Kitch, hang out on a purgatorial street corner, ...

The company’s 5-decade journey from Off-Off-Broadway outlier to Broadway powerhouse has been steered all along by the same 2 leaders. Practice may be the way to get to Carnegie Hall, but the path to ...

To compile this list of the new millennium’s influential plays and musicals, we turned to industry workers, leaders, and observers to come up with 50 that pushed theatre forward. A lot can happen in ...

The end of yet another path-breaking play development program, one with fieldwide impact and global reach, has not been properly mourned. The Sundance Theatre Program never had a proper interment or ...

86-year-old Nicki Cochrane, a tireless fixture of New York theatre audiences, sees 500 shows a year, by any means necessary. Inside Art Cake, a cavernous Brooklyn venue where whispers carry as they ...

Attendance and funding may be down at many U.S. theatres, but the variety of creative responses to crisis and precarity is ever increasing. It’s no secret that the nation’s resident theatres didn’t ...