Gary Briechle on the thirty years of wet plate collodion in Maine that became I Want To See A Lighthouse, his haunting new ...
Jo Ann Chaus shows neither the man, nor the car, nor the leaving. She photographs the aftermath and hands the off-screen to ...
In Apotheosis Now, Cristina de Middel gathers two decades of photographs to ask a question: in an age of endless images, how ...
In Lille, Bérangère Fromont’s “République” captures daily life on a Paris square known for uprisings, between friendly ...
With “Fairyland,” Tim Walker exhibits 250 queer portraits at London’s National Portrait Gallery, from Ian McKellen to the ...
Roland Reinstadler spent years photographing a Teutonic Order convent. In Umbra Lucis, from GOST Books, he looks for light in ...
In Brooklyn, Picto New York presents "Yōkai and Landscapes," Yuji Watanabe's first solo exhibition in the United States.
In The Mental Image, Stephen Shore puts into words a tradition he has carried for forty years: a photograph can hold the trace of a mind.
Artist Keisha Scarville has reworked a childhood passport photograph of her father more than 300 times. Her book Passports ...
The Yokohama Project: a century and a half after Felice Beato, Giada Ripa rephotographs Japan and captures a country ...
Sanlé Sory brings his vibrant color photography of Burkina Faso's faces to London’s Photographers’ Gallery in Colour Years.
Before it was a book, House of Love was a house, on Canyon Drive in Beachwood Canyon, where photographer Shelby Duncan lived.
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