A “Distant Location” is one where your employment requires you to remain away from your home and be lodged overnight. If you are working on a Distant Location, you are a “Distant Hire.” Outlined below ...

• All Prime-Time Entertainment and High Budget SVOD Tier 1: $100.25 per day • All Non-Prime-Time Entertainment and High Budget SVOD Tier 2: $33.25 per day. • These fees are paid on camera blocking and ...

On September 25, the Focus on Women Committee (FOWC) meeting featured the panel discussion, Golden Opportunities: A Conversation with DGA Women Who Covered the 2024 Paris Olympics. In a conversation ...

When an Employer employs a ‘first-time Director’ to direct an episode of a dramatic television, High Budget SVOD series, or High Budget AVOD series, the individual must, prior to commencement of ...

DGA President Paris Barclay welcomes the full house and reports on the state of diversity hiring for DGA members today, followed by WSC Co-Chair Liz Ryan introducing recent Student Film Award winners.

Director/2nd AD Nikki Lorre discusses how the Big Bang team was helpful and supportive when she moved into the director's chair.

Associate Director Elisabeth Sobel talks about her first event with the election crew in one of the 2016 republican debates and how critical it is to develop relationships as an associate director ...

Director Alex Holmes describes the ending of Maiden and his considerations of how to tell the story that responded to the complexity of the moment.

Director Pierre W. Moossa talks about how he tailors his coverage of the Olympics for an American audience.

A tribute to the life and career of John Schlesinger (1926-2003) was held at the Guild on October 19. DGA President Michael Apted welcomed the many legendary guests and speakers, including Michael ...

When the Games of the XXXIII Olympiad came to a close this year, its estimated that around 1.5 billion people from around the world tuned in to watch the proceedings from the host city of Paris, with ...

Why does the DGA believe that hiring of more women and minority Directors is critical? At the DGA, we believe storytelling should be as diverse as the world around us, and that a critical mass of ...