Here’s one big risk a public satirist of racism takes: by displaying tropes and crude imagery, he reveals just how well he knows and can deploy them himself.
Agnes and Peter strip naked and douse themselves with gasoline. Agnes proclaims her love. They light a match.
A New Yorker food critic answers questions about burger toppings, beef tallow, and the subjectivity of memory.
In “Jaidë,” or “House of Spirits,” the Colombian photographer Santiago Mesa documents a remote people facing a rash of youth ...
An expert on Presidential emergency powers discusses the history and legality of military deployments in American cities.
During the President’s second Administration, universal principles such as self-determination and due process are wielded ...
The Grateful Dead guitarist had the nature of a well-meaning cowboy, and a lasting capacity to access wonder and deep ...
In January, 2022, the British cellist Steven Isserlis was walking to a professional engagement when catastrophe struck. The ...
“A light secret,” I suggest. “Precisely,” P. says. “Like an anonymous donation?” P. shrugs. “It could be a lot more ...
The story never reveals the nasty rumor about P., and this is just one of several bits of withheld information in the story. Disclosure, or its lack, both shapes the story and is the subject of this ...
Right—the second thing that makes “Heated Rivalry” so successful is the extreme freshness and handsomeness of the two leads, ...
Should New York go for the Olympic gold?
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